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Karate Kid 1984 Full Movie Free
Director John G Avildsen has taken the same basic elements that made his boxing film such a success and cunningly crafted them to a seven-stone-weakling-style yarn about Danny (Ralph Macchio).
He's a 15-year-old whose meagre karate training is of no use against the local motorcycle gang, whose leader (the ex of the girl Danny fancies) doubles up as the school bully.
As he and his friends are members of the 'no mercy' local karate school, Danny's education is proving a painful one until he meets Mr Miyagi, the repair man at his flats, who proves, not unexpectedly, to be a karate expert and helps Danny train for the local championships.
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Attractive Elisabeth Shue seems a trifle mature for our teenage hero, but the film is in any case stolen by veteran Pat Morita as Miyagi, who makes the most of the film's good lines.
Telling Danny to win back his girlfriend, he advises: 'To make honey, bee need young flower, not old prune.' Ah, Charlie Chan would have been proud of that.
And then begins the wonderful center section of 'The Karate Kid,' as the old man and the kid from Jersey become friends. Miyagi's system of karate instruction is offbeat, to say the least. He puts Daniel to work shining cars, painting fences, scrubbing the bottoms of pools. Daniel complains that he isn't learning karate, he's acting as free labor. But there is a system to Mr. Miyagi's training.
'The Karate Kid' was directed by John G. Avildsen, who made 'Rocky.' It ends with the same sort of climactic fight scene; Daniel faces his enemies in a championship karate tournament. But the heart of this movie isn't in the fight sequences, it's in the relationships. And in addition to Daniel's friendship with Miyagi, there's also a sweet romantic liaison with Ali (Elisabeth Shue), who is your standard girl from the right side of town and has the usual snobbish parents.
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Macchio is an unusual, interesting choice for Daniel. He's not the basic handsome Hollywood teenager but a thin, tall, intense kid with a way of seeming to talk to himself. His delivery always sounds natural, even offhand; he never seems to be reading a line. He's a good, sound, interesting lead, but the movie really belongs to Pat Morita, an actor who has been around a long time (he was Arnold on 'Happy Days') without ever having a role anywhere near this good. Morita makes Miyagi into an example of applied serenity. In a couple of scenes where he has to face down a hostile karate coach, Miyagi's words are so carefully chosen they don't give the other guy any excuse to get violent; Miyagi uses the language as carefully as his hands or arms to ward off blows and gain an advantage. It's refreshing to see a completely original character like this old man. 'The Karate Kid' is a sleeper with a title that gives you the wrong idea: It's one of 1984's best movies.